Striving for brevity, wit, & soul. Not necessarily in that order.

 

Mike & Patty's: Specials 5/4 Tost-u, Eggs Khagina, Roast Beef (maybe Animal Style?)

So @mikeandpattys clearly knows more about egg sandwiches than you…

mikeandpattys:

Roast Beef, 100% grass fed and local. Many options. Hope to debut Korean Egg Toast (Tost-u) this week, and bring back Eggs Khagina. Then there’s these beautiful pastured eggs which I’ve hard boiled nearly masterfully.

Roast beef we like to first do real Mass-style - 3 Way on an onion roll (3 Way…

There are times when Alice In Chains seems to resonate with me. Here they are — Down In A Hole Unplugged  

(Source: youtube.com)

theatlantic:

Levon Helm Was Perfect

Levon Helm wasn’t a flashy player, merely a perfect one. The best musicians often give the impression that they make music conform to their own rules rather than the other way around, bending it to their will and converting the counterintuitive into the suddenly obvious. Watch this incredible performance of Van Morrison’s “Caravan” and pay attention to what happens at around 0:17: The Band start the song just a bit too fast, and three bars in Levon slows the entire thing down, in the blink of an eye, like an expert jockey atop a world-class thoroughbred. By conventional rule, spontaneously slowing down or speeding up a song is a cliché of bad music-making, but here it works. And of course the tempo he slows it to is exquisitely, achingly right.

It wasn’t all mysticism, of course. He was a technically monstrous player of unsurpassed versatility, one who could turn challenging music into something that sounded effortless. Other great bands have played difficult material, but on Steely Dan records the music sounds hard, wearing complexity on its sleeve with a sort of punk defiance. The Band’s “Jawbone” goes through more meters than Con Edison but sounds utterly natural: The Carter Family at a cookout with mid-’60s Miles Davis, everyone getting along, Levon working the grill.

He could sing a little, too. For all of his prowess at the drums, most of the world will remember Levon Helm as the voice of “Ophelia,” “Up On Cripple Creek,” “The Night They Drove Old Dixie Down.” The Band boasted an embarrassment of vocal riches, and while Levon lacked the extraordinary expressive range of Rick Danko and Richard Manuel, his may have been the most indelible sound of the three. Listening to that worn and cozy voice was like being told a story around a campfire, after the humidity has broken and the mosquitoes have gone to sleep. Come upon “The Weight” on the radio at the right moment, and the entire world stands still.

Read more.

Levon was the man, sad to see him go.

historical-nonfiction:

The first official bathing costume in modern times was not a piece of clothing at all but a piece of architecture: a bathing machine. It was invented by a Quaker in 1753. The machine was a horse-drawn half carriage contained a “modesty tunnel” that allowed a still fully clothed woman to enter the sea in privacy.

historical-nonfiction:

The first official bathing costume in modern times was not a piece of clothing at all but a piece of architecture: a bathing machine. It was invented by a Quaker in 1753. The machine was a horse-drawn half carriage contained a “modesty tunnel” that allowed a still fully clothed woman to enter the sea in privacy.

Déjà Vu

laphamsquarterly:

“The man who never looks into a newspaper is better informed than he who reads them.” —Thomas Jefferson, from a letter, 1807 

“According to a new poll from Fairleigh Dickinson University, if you watch Fox News you are significantly less likely to know the correct answer to that question than if you mostly avoid news shows and newspapers all together.” —Slate, November 11, 2011

Great Music, it said, and Great Poetry would like quieten Modern Youth down and make Modern Youth more Civilized. Civilized my syphilised yarbles.

Alex, A Clockwork Orange (via wwnorton)

My work has escaped my control, and I have produced a monster; an immensely long, complex, rather bitter, and rather terrifying romance, quite unfit for children (if fit for anybody); and it is not really a sequel to The Hobbit, but to The Silmarillion. Ridiculous and tiresome as you may think me, I want to publish them both — The Silmarillion and The Lord of the Rings. That is what I should like. Or I will let it all be. I cannot contemplate any drastic rewriting or compression. But I shall not have any just grievance (nor shall I be dreadfully surprised) if you decline so obviously unprofitable a proposition.

a letter from J.R.R. Tolkien to his publishers, February 1950 (via historical-nonfiction)

Tolkien’s letter introducing LOTR to publishers:

(Source: futilitycloset.com)